Hermitage is a 15-day sound composition written for a solo performer with various instruments by Ekrem Mülayim. It was performed from sunrise to sunset each day atop Currie Harbour Lighthouse on King Island, north-west Tasmania.
It is not a coincidence that the Hermit character is an archetype. We all, at one time or another in our lives, seek solitude and retreat to find answers. Hermit's journey is one that we all wish to take with varying intensities of desire, as we know there are things to discover, important things, in solitude and reclusion.
I see music, at its core, as a series of decisions that involve sound and silence. I wanted to create a situation where a performer is left alone to explore this. Isolated solitude is widely practiced among most faiths and philosophies by those who wish to attain knowledge beyond arm's reach. Soon, it was evident to me that ‘Hermitage’ had to be an endurance piece, performed for an extended duration of time. Within the extremes of isolation and endurance, I believe, lie intriguing findings; musically and otherwise.
aims to practice and explore the act of performing in extreme circumstances. The performer is pushed to a realm far removed from the norm by having to perform from sunrise till sunset, continuously, for days on end. Performing, filming and recording this journey in its entirety blurs the lines between living and performing as well as between performance and ritual. Every gesture of the performer becomes significant as it potentially causes sound, or silence...
Performer is limited in space, impeded in his movement and is isolated. As a composer and as the performer, I am interested in the points where these limitations and impediments transform into opportunities of creative discovery. Negotiating the impediments and transforming them fascinate me and constitute the main focus of my research as a PhD student at Sydney Conservatorium of Music.
High definition single-channel video, sound
Blackmagic Cinema Camera